Digital Art History – Methods, Practices, Epistemologies II

Venue and duration
Zagreb, SRCE – University Computing Centre, 4–5 November 2019

Organizers
Institute of Art History, Zagreb
SRCE – University Computing Centre, Zagreb

Scientific Committee
Thomas Aigner, St. Pölten Diocesan Archives, Pölten
Béatrice Joyeux-Prunel, University of Geneva, Faculté des Lettres
Ljiljana Kolešnik, Institute of Art History, Zagreb
Vlatka Lemić, University of Zagreb, University Archives
Tania Ørum, University of Copenhagen, Department for Arts and Cultural Studies
Vinko Zlatić, Institute Ruđer Bošković, Zagreb

Organizing Committee
Ljiljana Kolešnik, Institute of Art History, Zagreb, Head of the Organizing Committee
Sanja Sekelj, Institute of Art History, Zagreb
Sanja Horvatinčić, Institute of Art History, Zagreb
Tamara Bjažić Klarin, Institute of Art History, Zagreb
Ana Ćurić, Institute of Art History, Zagreb
Ivan Marić, SRCE – University Computing Centre, Zagreb
Draženko Celjak, SRCE – University Computing Centre, Zagreb
Suzana Kikić, SRCE – University Computing Centre, Zagreb

Download

• Call for submissions
• Programme
• Book of abstracts

Related publication
— Thematic issue of the scholarly journal Život umjetnosti 105/2019

Reviews
— Sanja Sekelj, „Digitalna povijest umjetnosti – metode, prakse, epistemologija“ [Digital Art History – Methods, Practices, Epistemologies], @rhivi, 6, 2019, 38.
— Ivona Marić, Dunja Vranešević, Vrli novi svijet digitalne humanistike – na granici mogućeg i nemogućeg, Vijesti iz svijeta muzeja, MDC Newsletter, 102, 19. 11. 2019.

Design
Damir Gamulin, Nives Sertić